Carpo (Hora) Carrara marble, dated from the first century A.D with mid 16th century integrations, height 1,51 m. Florence – Galleria degli Uffizi 🇮🇹

Carpo (Hora)
Carrara marble, dated from the first century A.D with mid 16th century integrations, height 1,51 m. Florence – Galleria degli Uffizi 🇮🇹

🇬🇷Carpo (Καρπώ), Carpho or Xarpo was the one who brings food and was in charge of Autumn 🍂, ripening, and harvesting, as well as guarding the way to Mount Olympus and letting back the clouds surrounding the mountain if one of the gods left.


>This sculpture represents one of the three “Horae”: grapes, pears, pomegranates and walnuts overflow from the edges of the dress worn by the young goddess, which she holds with her hands on her womb. They are the fruits of the fertile earth, the first fruits of the autumn season, the generative force of Nature.

The dress, impalpable and adherent to the body like a wet fabric, enhances its shapes, creating, in the lower part, an extraordinary play of folds.
The young woman is caught in a real dance step, a rapid movement that enhances the lightness of the figure.

It was precisely these "thin cloths" that struck Giorgio Vasari when, in 1568, he saw the statue and identified it as an image of Pomona, the Roman goddess of fruits and the harvest, of fruit trees, gardens and orchards. Unlike many other Roman goddesses and gods, she does not have a Greek counterpart, though she is commonly associated with Demeter

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